Tweet Can you write a story without a plot? Ultimately, that depends entirely on your definition of a story.
Research How do you write a novel without plotting? For me, it keeps it fresh and exciting. Here are some tips.
I hope they help. So I create a folder on my computer and start searching for key words that represent my novel. For Disintegration, obviously, that word—disintegration, disintegrate, disintegrating. I found several pictures that really represented the idea of decay, falling apart, and destruction.
One of them was by Luke Chueh, a teddy bear, and it really was the perfect mix of innocence lost and the chaos that exists in the world.
I knew that this novel would take place in Wicker Park, a place I used to live, so I did a quick search finding images of the streets, bars, parks—anything that would remind me of what the neighborhood looked like. Keep a folder running, and if you run across images, in film, on television, comics, art galleries, you name it—save an image or take a screenshot or photograph and use it as a reference point, a quick way to tap into the emotion and arc of your novel.
So obviously it was important that I knew what both of these words meant. We just talked a little bit about disintegration, but the word transubstantiate, that was one that I looked up and studied a bit.
As long as I kept that idea up front and in my thoughts, I could always ask myself questions when moving the characters from scene to scene—what do they want, what are they trying to change, what is the conflict here? When in doubt, your main character will revert to this definition—change, or disintegration, in my case.
You have some images, you have some definitions, so keep doing research now, and throughout the novel.
If you are setting a story in a hotel, maybe do a search on images and read the details about how a high-end hotel runs, what it looks like, the staff, the lobby, the amenities.
If you are setting your story on an island, what kind of wildlife can you expect there, what kinds of plants, climate, etc. Even if you only have a little bit of information, keep digging and setting stuff aside, reading and absorbing. I also picked up a ton of books, including non-fiction books on serial killers, how they are made, as well as revisiting titles like Of Mice and Men, to look at Lennie, his behavior, and other books that deal with abuse, such as The End of Alice and The Girl Next Door.
I did that for Transubstantiate, and it really helped me in a number of ways. I could immediately pull up a picture of that person, to get details of how they looked physically. I could watch them in other television shows and films to see how they acted, especially if a character they portrayed was similar to what I was trying to do.
I could look at Viggo Moretnsen as Gordon or Ali Larter as Marcy and immediately picture a scowl or a smile, even a physical gesture, or hear their voice.
The best place for you to start is with whatever scene is begging to be written, whichever moment is just bursting to get out of your head. You can always improve the hook, or move things around later.I have used the method to write both of my books in fact — at the end of “Book Architecture” I show how I applied the tool of the series grid to creating the book itself.
And just the other day I cut up all of my scenes for a non-fiction piece of only 1, words. Check out my best-selling book, How to Write a Novel Using the Snowflake Method. This book is a different kind of teaching tool. This book is a different kind of teaching tool.
It uses a story to SHOW you how to write a novel, rather than to . At the other end of the spectrum is starting a , word novel without knowing where it starts and where it ends and having a reasonable idea how it is going to get from the former to the latter.
There is a lot of real estate between those extremes, and I’ve found myself at different places on the spectrum because of the nature of. Here’s why and how to write a plot outline for your novel.
No fiction gets taken seriously by literary agents or editors unless it has a story and plot structure that grips. We’ve seen stunning literature rejected for lacking a good plot outline. Writing to a plot, writing without a plot, both take work.
Each approach has its benefits and drawbacks. In the end, they both come down to understanding that your story has a shape, that it has requirements to fulfill, that it has an essence. Aug 14, · Edit Article How to Write a Good Plot. One Methods: Plot Help Community Q&A A good plot is all about organizing ideas in a way that is appealing to the reader.
It is also, and more importantly, the guideline that helps the author make sure he doesn't get lost on all of the ideas and characters that start to come up whilst the book 85%().