Robert Frost was an American poet but most of his poems were written while he was in England, and they were published there.
On a word-for-word basis, it may be the most popular piece of literature ever written by an American. Most widely celebrated artistic projects are known for being essentially what they purport to be.
A cultural offering may be simple or complex, cooked or raw, but its audience nearly always knows what kind of dish is being served. The two roads are interchangeable. In this it strongly resembles its creator.
Frost is the only major literary figure in American history with two distinct audiences, one of which regularly assumes that the other has been deceived.
For these readers, Frost is a mainstay of syllabi and seminars, and a regular subject of scholarly articles though he falls well short of inspiring the interest that Ezra Pound and Wallace Stevens enjoy.
Then there is the other audience. This audience is large. Frost is not simply that rare bird, a popular poet; he is one of the best-known personages of the past hundred years in any cultural arena. In all of American history, the only writers who can match or surpass him are Mark Twain and Edgar Allan Poe, and the only poet in the history of English-language verse who commands more attention is William Shakespeare.
This level of recognition makes poetry readers uncomfortable. Poets, we assume, are not popular—at least after or so. If one becomes popular, then either he must be a second-tier talent catering to mass taste as Sandburg is often thought to be or there must be some kind of confusion or deception going on.
He is really a wolf, we say, and it is only the sheep who are fooled. In this sense, the poem is emblematic.
A role too artfully assumed ceases to become a role and instead becomes a species of identity—an observation equally true of Robert Frost himself. It is a poem about the necessity of choosing that somehow, like its author, never makes a choice itself—that instead repeatedly returns us to the same enigmatic, leaf-shadowed crossroads.
From The Road Not Taken:Sep 11, · From The Road Not Taken: Finding America in the Poem Everyone Loves and Almost Everyone Gets Wrong, a new book by David Orr..
A young man hiking through a forest is abruptly confronted with a fork in the path. He pauses, his hands in his . Poetry (the term derives from a variant of the Greek term, poiesis, "making") is a form of literature that uses aesthetic and rhythmic qualities of language—such as phonaesthetics, sound symbolism, and metre—to evoke meanings in addition to, or in place of, the prosaic ostensible meaning..
Poetry has a long history, dating back to prehistorical times with the creation of hunting poetry in. A summary of “Stopping by Woods on a Snowy Evening” in Robert Frost's Frost’s Early Poems. Learn exactly what happened in this chapter, scene, or section of Frost’s Early Poems and what it means.
Perfect for acing essays, tests, and quizzes, as well as for writing lesson plans.
A summary of “Stopping by Woods on a Snowy Evening” in Robert Frost's Frost’s Early Poems. Learn exactly what happened in this chapter, scene, or section of Frost’s Early Poems and what it means.
Perfect for acing essays, tests, and quizzes, as well as for writing lesson plans. Poems from different poets all around the world. Thousands of poems, quotes and poets. Search for poems and poets using the Poetry Search Engine.
Quotes from all famous poets. “Stopping by Woods on a Snowy Evening” written by Robert Frost, was on of his most famous works. Robert Frost was an American poet but most of his poems were written while he was in England, and they were published there.